Paul Nash 1889-1946

<span class="title">Summer<span class="title_comma">, </span></span><span class="year">1933</span>

<span class="title">Salome<span class="title_comma">, </span></span><span class="year">1931</span>

<span class="title">Great Dyke, Romney Marsh<span class="title_comma">, </span></span><span class="year">1922</span>

<span class="title">A Dawn<span class="title_comma">, </span></span><span class="year">1912</span>

Summer, 1933
Salome, 1931
Great Dyke, Romney Marsh, 1922
A Dawn, 1912

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Paul Nash

Summer, 1933

oil on canvas

signed with monogram

22 x 31 in / 55.9 x 78.7 cm

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%3Cdiv%20class%3D%22artist%22%3E%3Cstrong%3EPaul%20Nash%3C/strong%3E%3C/div%3E%0A%3Cdiv%20class%3D%22title%22%3E%3Cem%3ESummer%3C/em%3E%2C%201933%3C/div%3E%0A%3Cdiv%20class%3D%22signed_and_dated%22%3Esigned%20with%20monogram%3C/div%3E%0A%3Cdiv%20class%3D%22medium%22%3Eoil%20on%20canvas%3C/div%3E%0A%3Cdiv%20class%3D%22dimensions%22%3E22%20x%2031%20in%20/%2055.9%20x%2078.7%20cm%3C/div%3E

Exhibitions

Arundell Clark Ltd., New York, Modern European Paintings, 1933, no. 9

Experimental Theatre, London, Abstract Painters, 1935

Temple Newsam House, Leeds, Paintings and Drawings by Paul Nash and Sculpture by Barbara Hepworth 1973, no. 19

Literature

Architectural Review, October 1933, illus.

ed. M.Eates, Paul Nash: A Memorial Volume, 1948, p. 33, pl. 67

M. Eates, Paul Nash: The Master of the Image, 1973, p. 125, pl. 71

A Causey, Paul Nash, 1980, p. 125, pl. 71

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Paul Nash

Salome, 1931

oil on canvas

initialled lower right

30 x 20 1/4 in / 76.2 x 51.4 cm

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%3Cdiv%20class%3D%22artist%22%3E%3Cstrong%3EPaul%20Nash%3C/strong%3E%3C/div%3E%0A%3Cdiv%20class%3D%22title%22%3E%3Cem%3ESalome%3C/em%3E%2C%201931%3C/div%3E%0A%3Cdiv%20class%3D%22signed_and_dated%22%3Einitialled%20lower%20right%3C/div%3E%0A%3Cdiv%20class%3D%22medium%22%3Eoil%20on%20canvas%3C/div%3E%0A%3Cdiv%20class%3D%22dimensions%22%3E30%20x%2020%201/4%20in%20/%2076.2%20x%2051.4%20cm%3C/div%3E

Provenance

Maurice J. Speiser, circa 1931-2

Parke-Bernet, New York, 1944

Waddington Galleries, London, 1978

Exhibitions

Arthur Tooth & Sons, London, Recent Developments in British Painting, 1931, cat.no.3
Pennsylvania Museum of Art, Pennsylvania, Winter Exhibition, 1931

Literature

New York Times, November 1932, illus.

Pennsylvania Museum Bulletin, January 1932, illus.

Herbert Read, Art Now, 1960, illus pl.110, no. PN30

Margot Eates, Paul Nash: 1889-1946, John Murray Ltd, London, 1973, p.124

Andrew Causey, Paul Nash, Clarendon Press, Oxford, 1980, cat. no.702, illus. pl.42, p.44

James King, Interior Landscapes: A Life of Paul Nash, Weidenfeld and Nicolson, London, 1987, p.130

Andrew Causey, Paul Nash: Landscape and the Life of Objects, Lund Humphries, Farnham, 2013, pp. 67–68, illus. pl. 58, p. 69

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Paul Nash

Great Dyke, Romney Marsh, 1922

watercolour over pencil on paper

signed & dated lower right

8 x 13 in / 20.3 x 33 cm

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Exhibitions

Bishop's Palace, Chichester, Farm, Field and Fantasy: Visions of the English Countryside from the 18th century to the Present Day, 1989, no. 26

Literature

.Andrew Causey, Paul Nash, 1980, no.229, p.94, pl.98, illus

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Paul Nash

A Dawn, 1912

watercolour, pencil & chalk on paper

15 1/2 x 12 1/2 in / 39.4 x 31.8 cm

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Provenance

Harry Taylor

Oliver Woods

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