Mary Martin
Rotation
, 1969
injection moulded plastic & mirrored elements mounted on wood
16 x 16 x 2 3/4 in / 41 x 41 x 7 cm
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Provenance
Private Collection, USA
Exhibitions
Whitechapel Art Gallery, London, New Multiple Art, 19 November 1970 - 3 January 1971, no.401
Mary Martin
Rotation MM1
, 1968
injected polystyrene & mirrors
edition of c.200, published by Unlimited of Bath
5 x 5 x 3 1/2 in / 12.7 x 12.7 x 8.9 cm
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Literature
Alastair Grieve, Constructed Abstract Art in England - A Neglected Avant-Garde, Yale University Press, New Haven & London, p.164, pl.215, illus.
Mary Martin
White Permutation
, 1963
perspex on formica & wood
signed & dated verso
35 x 39 in / 88.9 x 99.1 cm
Copyright The estate of the Artist
%3Cdiv%20class%3D%22artist%22%3E%3Cstrong%3EMary%20Martin%3C/strong%3E%3C/div%3E%0A%3Cdiv%20class%3D%22title%22%3E%3Cem%3EWhite%20Permutation%3C/em%3E%2C%201963%3C/div%3E%0A%3Cdiv%20class%3D%22signed_and_dated%22%3Esigned%20%26%20dated%20verso%3C/div%3E%0A%3Cdiv%20class%3D%22medium%22%3Eperspex%20on%20formica%20%26%20wood%3C/div%3E%0A%3Cdiv%20class%3D%22dimensions%22%3E35%20x%2039%20in%20/%2088.9%20x%2099.1%20cm%3C/div%3E
Provenance
Private Collection, London - acquired directly from the artist
Exhibitions
Molton & Lords, London, 1964
Stadtgalerie, Bochum, Profile III: Englische Kunst der Gegenwart, 1964, touring Germany
DeCordova Museum, Lincoln, Massachusetts, The British Are Coming, 1975
