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Open a larger version of the following image in a popup: Christopher Wood, Reclining Nude (Jeanne Bourgoint), 1926

Christopher Wood British, 1901-1930

Reclining Nude (Jeanne Bourgoint), 1926
oil on canvas
19 x 33 ins / 48.3 x 83.8 cm
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The simple effect of Nude belies the skilful execution of the drawn line, and yet it would not be correct to assume that this 'simplicity' was a signifier for Bourgoint's virtuousness. Rather her agile body, together with her flushed cheeks, is suggestive of an animal sexuality that was echoed by Wood when he described her as his 'adorable little hare'.

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Provenance

Artist’s Estate

Redfern Gallery

Helen Sutherland 

Jonathan Clark Fine Art

Private Collection, UK

Exhibitions

New Burlington Galleries, London, 'Christopher Wood: Exhibition of Complete Works,' Mar-Apr 1938
Manchester City Art Gallery, Works of Art from Private Collections in the North-West and North Wales,1960, cat no.206
London Arts Council, The Helen Sutherland Collection, 1970-71, cat no.100; Colchester, The Minories, Christopher Wood, 1979, no.7, with tour to DLI Museum, Durham; Aberdeen Art Gallery, Aberdeen; Towner Art Gallery, Eastbourne and Royal Albert Memorial Museum, Exeter.
Pallant House Gallery, London 'Christopher Wood: Sophisticated Primitive' Jul-Oct 2016, no.46

Literature

Eric Newton Christopher Wood 1901-1930 Redfern Galleries, 1938, p.69, no.186.
Katy Norris, 'Christopher Wood' 2016, no.46, p.56 illus.
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