Wynter's work evolved significantly throughout his career, encompassing various styles and approaches. In the 1940s and 1950s, Wynter explored abstraction, experimenting with bold colours, gestural brushwork, and organic forms. He was particularly interested in the relationship between art and nature, often drawing inspiration from the Cornish landscape where he lived and worked. His early abstract works often featured dynamic compositions and rhythmic patterns, reflecting his fascination with the natural world.

In the 1960s, Wynter's work shifted towards abstraction, influenced by his interest in science and nature. He began to create bold, geometric compositions inspired by natural phenomena such as landscapes, seascapes, and celestial bodies. His use of vibrant colours and dynamic shapes reflected his fascination with the interplay of light, colour, and energy. Wynter's later works explored the possibilities of new materials and techniques, including acrylic paint and collage. He continued to push the boundaries of abstraction, creating experimental compositions that blurred the line between painting and sculpture.

In this artwork, Wynter depicts a landscape that is characterized by swirling forms and organic shapes, reminiscent of the ever-changing patterns found in nature. The composition is dynamic and fluid, with elements of the landscape merging and intersecting in a continuous flow of movement. Wynter's use of color is particularly striking, with bold, saturated hues dominating the palette, punctuated by contrasting tones and accents. The composition is balanced and harmonious, with each element of the landscape carefully arranged to create a sense of rhythm and unity within the scene. The play of light and shadow adds depth and dimension to the painting, enhancing the sense of atmosphere and atmosphere. Wynter's expressive brushwork adds a sense of vitality and immediacy to the scene, capturing the energy and dynamism of the natural world.