Roger Hilton (1911–1975) was a British abstract painter whose work played a significant role in the development of modern art in the mid-20th century. During the 1930s, Hilton traveled extensively, spending time in Paris, where he was exposed to avant-garde art movements such as Cubism and Surrealism. These experiences would later influence his artistic style.
Following the war, Hilton resumed his artistic pursuits, experimenting with different styles and techniques. In the late 1940s and 1950s, Hilton became associated with the St. Ives School of artists, a group based in Cornwall, England, known for their contributions to British modernism.
During this period, Hilton's work evolved towards abstraction, characterized by bold colours, simplified forms, and gestural brushwork. His paintings often depicted landscapes and figures, although they became increasingly abstract over time. He was influenced by artists such as Paul Klee and Joan Miró, as well as the work of American Abstract Expressionists.
In the 1960s, Hilton gained recognition for his distinctive style, receiving critical acclaim and exhibitions both in the UK and internationally. He was included in major group shows and represented Britain at the Venice Biennale in 1962. Hilton's later works became simplified, with a focus on geometric shapes and a reduced color palette.