George Fullard (1923–1973) was a highly esteemed British sculptor celebrated for his innovative approach to sculpture and his contributions to the post-war British art scene. After World War II, Fullard studied at the Royal College of Art in London, where he developed his distinctive style and honed his skills as a sculptor. He was deeply influenced by the work of leading sculptors of the time, including Henry Moore and Barbara Hepworth, as well as the emerging trends in abstract and modernist art.
Fullard's early sculptures were characterized by their dynamic forms, organic shapes, and expressive use of materials such as bronze, wood, and stone. He was particularly interested in exploring themes of humanity, nature, and the human condition in his work, often depicting figures in motion or engaged in everyday activities.
In the 1950s and 1960s, Fullard emerged as a leading figure in the British sculpture scene, exhibiting his work widely in galleries and museums throughout the United Kingdom and abroad. He was known for his skillful use of texture and surface treatment, as well as his ability to imbue his sculptures with a sense of energy and vitality.
Fullard's sculptures ranged in scale from small, intimate pieces to large, public commissions, and he worked in a variety of mediums, including bronze, steel, and plaster. He was also an accomplished draughtsman and printmaker, producing a wide range of drawings, etchings, and lithographs throughout his career.